The Leprechaun is a mythical creature of Irish folklore usually described as a
small, bearded man wearing a coat and hat, often green. These magical humanoid
creatures are often associated with magical abilities such as granting wishes
or possessing a pot of gold at the end of a rainbow. Cultures tend to
interpret mythical creatures through various media iterations, such as the vampire being seen as monstrous but in other versions seen as
romantic, making the earliest or classically conceived versions much different
than later accounts. Dissimilar to other creatures, the leprechaun myth
changed little over time, and many of the creature's original elements remain
true today. A comparison of the earliest leprechaun myth found in the story
“The Adventure of Fergus son of Léti” with the 1993 horror film “Leprechaun”
reveals a glaring difference in iterations of the leprechaun, yet the original
creature endures.
The Classical Leprechaun
Originating in Ireland between sixteen and seventeen hundred, Leprechauns
first appeared in literature as a small, men with long beards who were
cobblers by trade (Winberry, 1976). Contrary to the wearing of green, early
accounts of the leprechaun claim he wore red clothing but this description
changed depending upon the origin of the author in question and time. Writers
from the different areas within Ireland and Europe describe the creature
differently and this may have occurred to the deepening inclusion of the
Leprechaun in Irish culture. The color green’s association with Ireland as a
symbol of national pride began somewhere in the 1600s and continued to grow
over time and this is the most likely source of the Leprechauns green color as
he became part of Irish nationalism (Winberry, 1976).
Adventure of Fergus son of Léti
The earliest views of the leprechaun are encapsulated in the medieval story
“The Adventure of Fergus son of Léti” (McLeod, 2011). This story describes the
classical Leprechaun as mischievous and played pranks on humans but never held
malevolence until later iterations of the myth. There are several stories in
the
Adventure of Fergus son of Léti but in the
Saga of Fergus mac Léti
this early version of the leprechaun is described when the King Fergus falls
asleep on a beach three leprechauns take him into the ocean and upon awakening
and capturing the leprechauns, they give him three wishes in exchange for
freedom. This is the earliest account of the leprechaun ability to grant
wishes and would ingrain in folklore as a common theme of capturing
leprechauns to obtain wishes.
The story of Fergus also describes the leprechauns as sea creatures which
diverges from later iterations but this early account provides the prankish
nature as well as the magical ability to grant wishes which continues to this
day. Other magical abilities are inferred such as the creatures living
underwater and being able to breath. Because King Fergus is a legendary Irish
king, it is likely that this story is the founding upon which the Leprechaun
linked with Irish nationalism and slowly morphed into a national pride.
This classical view of the Leprechaun initiated by the story of Fergus has
been documented in film going back to the early days of Hollywood both as
entertainment and commercial,
The Adventures of Chip and Dip (1968) deploys animated leprechauns and live-action kitchen scenes to prove beyond
the shadow of a doubt that every dish you ever heard of can be vastly improved
by tossing potato chips (they’re ninety-three percent energy!) into the
recipe.
Not until the movie series, “Leprechaun,” did this creature become associated with evil. The 1993 horror movie
“Leprechaun” is a modern adaptation to the classic Leprechaun myth. The plot
of the story centers on a vengeful Leprechaun who believes a family stole his
pot of gold and begins terrorizing them to return the gold, murdering several
people until the characters admit having hid the gold. The movie ends with the
leprechaun believed by characters to be killed by the audience sees that he
has escaped, leaving the movie open for creating sequels: eight to be exact.
There are some Irish folklore artifacts present in this film such as the
four-leaf clover, which is used to trap the leprechaun as well as the pot of
gold myth. The clover having little to do with anything related to the
leprechaun beyond Irish background appears almost anachronistic. The
mischievous nature of the leprechaun is perhaps the most glaring exaggeration
of the classic myth as the movie depicts the creature as maniacal and
sinister. This new iteration does not appear to harm the original classic
leprechaun view and perhaps the classic leprechaun mythology hurts the movie.
The New Iteration of Leprechaun Myth
There are many instances of myths reinterpreted over time which successfully
take on the qualities of the new perspective, but the movie “Leprechaun” fails
in this regard. When watching “Leprechaun” the movie is a tired replay of hack
and slash horror filled with suspense moments ending in shock and gore.
However, the use of the Leprechaun in this movie instills a sense of silliness
in the viewer as the Leprechaun version is difficult to understand in this
context having always thought of the creature as an Irish prankster who gives
wishes to those who catch him.
Reviewer Richard Harrington of the Washington Post had an equally difficult
time relating to this iteration referring to the creature adaptation as a
“nasty, amphetamine-driven portrayal”
in a 1993 review (Harrington, 1993). The happy go lucky creature of lore
cannot be separated from this doppelganger movie version and this creates a
sharp contrast to the cultural identification most people hold. This lack of
continuity in myth and creature may explain the low ratings given the movie on
IMBD and other sites.
Despite the depiction of the leprechaun as a murderous creature driven by
greed for gold, the classical version of the myth lives on in many different
cultural manifestations. The leprechaun continues to be a source of pride for
Ireland as well as a mascot for sports teams and even a box of cereal. Future
iterations of the leprechaun are likely to occur as this seems to occur with
most mythical creatures, but among myths the leprechaun has held its image and
history remarkably well. In many ways the original myth of the leprechaun
remains true to this day but even more consistent are versions of the little
man of the 1700s and 1800s with today’s versions. Even the movie could not
separate these facets of the myth. Perhaps future iterations will alter the
view of the leprechaun in culture, but for now, his wholesome image is safe.
How rhetoric uses indirect argument, emotional appeals, and rhetorical questions to convince the audience. Despite the lack of concrete evidence or counterarguments, audiences are receptive to these persuasive techniques, demonstrating the power of rhetoric in influencing opinions and the importance of critical analysis to avoid being misled by flawed reasoning.
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A leprechaun is a small, bearded, and green-clad man from Irish folklore who has magical powers, such as granting wishes or hiding a pot of gold at the end of a rainbow. While other mythical creatures, such as vampires, have changed drastically over time and media, the leprechaun has remained largely consistent with its original depiction. The contrast between the ancient tale of “The Adventure of Fergus son of Léti” and the modern movie, Leprechaun, shows how the leprechaun has evolved, but also how it has preserved its core features.
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